Spiral jetty artist12/29/2023 ![]() Eleven stories high and a tenth of a mile in width, the construction of this massive structure is still ongoing, and Ross expects to finish it in 2022, when the public can walk through its chambers to experience how the stars change over time. ![]() ![]() Ross first conceived of this “naked eye observatory” in 1971, but didn’t begin building it until he found the ideal spot on a mesa in the deserts of New Mexico in 1976. About the artworkRobert Smithson created his gigantic land art sculpture Spiral Jetty in Great Salt Lake, Utah in 1970. When artist Robert Smithson created the 1,500 foot spiral. the Spiral Jetty is more visible than ever. Less ephemeral stoneworks, however, were not uncommon during the land art movement, and, like Spiral Jetty, many still stand today, such as Charles Ross’s Star Axis. A history of Robert Smithson’s Spiral Jetty and what we can learn from it. Similarly, Michelle Stuart’s Niagara Gorge Path Relocated, which was created in 1975 by rolling a 460-foot roll of paper down a gorge to mark the place where Niagara falls was located 12,000 years prior to the work’s creation, now exists only in photographic memory. Created by pioneer of the earthworks art movement Robert Smithson in 1970, the The Spiral Jetty is located in Great Salt Lake, Utah. This work was a series of circles measuring 900 by 500 feet drawn in the dirt with a motorcycle, which soon disappeared, leaving only photos as a record of its existence. Only in the past ten years has it resurfaced and been available for visitation. Spiral Jetty is one of the most well-known earthwork sculptures, as well as the most famous and influential work by sculptor Robert Smithson. Take, for example, Michael Heizer’s Circular Surface Planar Displacement Drawing, also created in 1970. Robert Smithson, Spiral Jetty, 1970 (Great Salt Lake, Utah) (photo: Land Use Database, CC BY-NC-SA 3.0) This is due, in large part, to the fact that the jetty became submerged only a few years after it was made, and remained that way for decades. Smithson (1938-73) came of age in the 1960s when a flurry of knotty movements, ideas and adherences were gaining purchase minimalism, land art, psychogeography, site-specific art, video art and more. In 1999, Nancy Holt, fellow land artist and Smithson’s wife, and the Robert Smithson Estate gifted Spiral Jetty to the Dia Art Foundation, which is now responsible for the work, though that future is uncertain.īy its nature, Land Art is meant to be big, impactful, and ephemeral, and other iconic works of Land Art from the same era have already succumbed to time and nature as they were intended to do. The work of Robert Smithson comes tightly wrapped in some unforgiving artistic concepts. Located on the lake’s northeastern shore, Spiral Jetty is set amid a barren landscape bifurcated by railway tracks and littered with abandoned oil rigs.
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